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Shop for a great value Albeniz Cordoba (Arr Llobet) here at London Guitar Studio today! Were passionate about Flamenco and Classical guitars, so pop in and. Julian Bream recorded Cordoba, in the middle is a section of Albeniz was of the same generation of Tarrega and Llobet, more or less. Now I’m studying the Llobet’s transcription of Córdoba. . Córdoba it’s the hardest Albeniz piece transcribed by Llobet and probably the hardest.

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I only know that it remained unpublished untill the late ‘s.

The Guitarist’s Progress, Book Etudes simples Series 4 Zigante For “Granada,” I used a nice old transcription by Konrad Ragossnig Schott publishing; and what ever happened to Ragossnig? This section is read-only. albenix

Córdoba (Albéniz)

Julian Bream recorded Cordoba, in the middle is a section of tremolo, as my arrangement didn’t have this I worked out what Bream was doing and now use it. View our privacy policy.

Boy is it hard!!! Wonder how long this can take to get in performance mode But do we have the guitars, strings and technique to realise what they heard? Board index All times are UTC. Variaciones sobre un tema de F. The point is it is your call, as the performer.

Kevin Aram “Torres”, Stephan Schlemper “Transparence”, Whatever you can do to have a good time, let’s get on with it so long as it doesn’t cause a murder Their transcriptions are sometimes frowned upon as being too ‘guitaristic’ – apparently a crime these days as players try to get as close as possible to the original piano notation – yet they were definitely of the period, and Albeniz was of course influenced by the guitar I see it’s 2 years since the last post here!


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NB If you haven’t ordered prior to you may need to create a new user account as dormant accounts may have been deleted. IMO this is the high point of the piece, and the tremolo just doesn’t convey the same dramatic intensity.

Albéniz, Isaac. Córdoba. Miguel Llobet Collection – Los Angeles Classical Guitars

I was thinking of getting Yates’ book also, it’s on my list. This edition, edited by Stefano Grondona has been scrupulously prepared from Llobet’s autograph manuscript. I just think that maybe the guys who knew Albeniz have something to teach us that maybe we’ve forgotten in our push towards fidelity to the written score?

You have to decide what speaks to you most. The Young Guitarist’s Progress, Book I don’t think JW transcription is based on Llobet’s transcription because as far as I know this transcription was in private hands until 4 years ago.

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I love different approaches at different times. Etudes simples Series 1 Zigante Llobst Guitar Skip to content. Forum rules Topics archived from Public Space and its subforums after a long period of inactivity, or redundant for some other reason.


Home Service Combining the convenience of internet shopping with our unique personal service, our “home service” option for guitar sales is now proving popular with customers. For me it will take more than a year to take it to performance level. It seems to me there is a wider issue – going beyond the original post topic – that not only has the practice of arranging from one medium piano to another guitar changed over the last years, but guitars have changed too, becoming perhaps less ‘Spanish’, maybe more pianistic, even in tone, balanced.

Albeniz was of ,lobet same generation of Tarrega and Llobet, more or less. Book of the Month. This is by far the best transcription of this piece that has ever been made. Actually it’s documentated that in Albeniz heard some Llobet in a concert play some transcriptions. I guess many of you play Albeniz and know what works and what doesn’t.

I have been thinking about starting this piece for a while, but the thought of buying both transcriptions, and the piano version has put me off so far! The book I’m using is ‘The guitar music of Spain’ vol 2 the one with a portrait of a Spanish woman laying beside a guitar, each book has a section of the picture.