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Campagnoli, Bartolomeo – 41 Caprices Op 22 for Viola – Arranged by Bartolomeo Campagnoli – 7 Divertimenti, Op 18 – Violin – edited by Enrico Polo – Ricordi. Campagnoli, Bartolomeo – 41 Caprices Op 22 for Viola – Arranged by $ Fuchs, Lillian – 16 Fantasy Etudes – Viola solo – International Edition | The very first chord in particular, with the extended fourth finger, is just barely playable for me on a inch viola. However, after clearing the hurdles, I’ve.

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So my son just finished up the 5th Campagnoli caprice, and I could never figure out why it sounded so relatively Bach-like. The top line should always be held while the bottom one undulates: His two daughters Albertina and Giannetta were singers, and in he toured Italy with them. However, after clearing the hurdles, I’ve decided it’s one of my favorite caprices. So, in order to play this successfully, your left arm will have to swivel slightly, back and forth to guide the LH adjustment.

Retrieved from ” https: Therefore, most of this caprice stays in first position. I think you solved it. As I work through these caprices, I find that even in the simpler ones, Campagnoli usually manages to throw in some monkey wrench just for the ….

You can see how this works for me in the video. This makes me wonder if campgnoli it was Campagnoli and not Kreutzer or David who was the vioal first window to the solo violin music of Johann Sebastian Bach.

The latter passage was especially challenging for the stratified voicing. Ironically, staying in first position makes intonation more difficult.

The Campagnoli Project

He wrote in his diary, “His method, it is true, is of the old school; but his play is pure and finished. I observed many posts ago that many of these caprices ….

He left the court of the Duke of Courland, and in he was appointed concertmaster of the Leipzig Gewandhaus Orchestraa post he retained until He has done an amazing job with the audio ca,pagnoli video: The left hand should feel as pliable as possible, as often shifts happen fluidly: But the real clincher is an outright quote of the Chaconne in Campagnoli’s 24th Caprice: Bartolomeo was born in Centowhere his father was a trader.

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As with many of Campagnoli’s caprices, you cannot find even one dynamic marking: In he was appointed kapellmeister to the bishop of Freising in Bavaria. This page was last edited on 25 Decemberat campagnoi I devoted a lot of time to backwards practice here! It campagboli invite the kind of subtle music-making that many of the others do, however, it is not purely a technical exercise either.

Campagnoli, Bartolomeo – 41 Caprices Op 22 for Viola – Arranged by Primrose – International Edition

Views Read Edit View history. Number 12, marked Allegro assai, should fly off the fingers and at least give the impression of ease. The key of E Major sounds mellow, rich, and joyful. So back to this caprice: Posted by Elaine Fine at Jumping back and forth between the Giola and A string, or the C and D string, requires a quick and adept adjustment in arm weight to make the string speak properly.

I began my professional musical life as a flutist, and spent a lot of quality time as a baroque flutist, but I no longer have my baroque flute. While retaining this post he undertook tours; he toured Sweden in where in Stockholm he was elected a member of the Royal Swedish Academy of Music ; in toured European cities, mainly in Germany and Austria. They are so musical, and to me, much less dry than the Kreutzer.

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The Campagnoli Project

Campagnoli seems to use the viola solo as a one-person show: And a big thanks to my new recording engineer, Stuart Breczinski, for signing on to this project.

They are important etudes campagnoi the viola because they are original for the instrument, and they are rewarding to practice. With the long slurs, the focus in this piece is definitely on the left hand.

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Elaine Fine I am active as a composera violist, a violinist, a recorder player, and as a teacher. He visited Paris inwhere he was impressed by the playing of the violinist Rodolphe Kreutzer.

He lived for a few years in Florencewhere he studied with the violinist Pietro Nardini ; this period was influential to his career.

Even though they were published in Bonn inonly a few violinists knew about Johann Sebastian Bach’s Sonatas and Partitas. At the beginning, each viloa has a period at the end: He toured northern Europe giving concerts in Bartolomeo Campagnoli September 10, — November 6, was an Italian violinist and composer.

There isn’t much known about Campagnoli, though I did read somewhere that he was one of Rodolphe Kreutzer’s teachers, and it is certainly possible that Campagnoli learned some of his craft from Tartini, either through personal contact or through his music.

Measures are voila perfect example: Notice how they even break apart into a dialogue at m. My favorite part of the piece is the coda, from mm.

They weren’t really known until capmagnoli, when Ferdinand David made his edition; and even then they were not well known until they were performed by the famous Joseph Joachim. He returned home in and played in a local orchestra. With further study, I realized this was the wrong approach: He also has a number of compositions to his name, notably:.

He obtained a post at the court of the Duke of Courland in Dresden in I found the most difficult passage to cqmpagnoli mm. At measuresthe last beat of the measure follows with continuous eighth-notes, which creates the musical equivalent of a run-on sentence.

In Florence he also played in the orchestra of the Teatro della Pergola.