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FROG GALLIARD, THE. AKA – “Now o now I needs must part.” English, Country Dance Tune (3/2 or 6/4 time). G Major. Standard tuning (fiddle). The Frog Galliard. composer. John Dowland (). arranger. Christoph Denoth. MP3 Other options. FLAC downloads; ALAC downloads; CDs only. The Frog Galliard (RE: History Repeats Itself ). Audio. Cover Image. Lute piece by John Dowland () arranged and performed on solo classical.

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Treasures from my minde.

The King of Denmark’s Delight. Songs for Soprano and Guitar. Dowland’s galliards maintain this basic format, as well as the galliad triple meter, but in many, including the Frogg Galliard, the simple repetition of a strain has given way to a strain succeeded by a decorative variation of the strain.

The Frog Galliard, for lute, P 23

It was even used to set several different texts in the Netherlands. A Handefull of Pleasant Delites: Songs to My Lady. Gaoliard a Henrique Pinto. O las tribulaciones de John Thomas Farwell. Lute Songs, Lute Solos. Introspection Late Night Partying. Dowland himself re-used the piece, as the basis for forg song, “Now, O now, I needs must part,” No. It differs from the others primarily in the varied repeat of the first strain, which consists of virtuosic triplets over a trochaic bass line drawn from the first strain.

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Complete Lute Works, Vol.

The Frog Galliard, for lute, P 23 | Details | AllMusic

The Complete Solo Lute Music. The Essential Julian Bream []. These galliards are in a fast triple meter and generally feature three distinct phrases, or strains of eight, 12 or 16 measures, each immediately repeated. The Chapters of Life. This unusual feature has led some historians to fog that the Frogg Galliard is derived from Adrian Le Roy ‘s [c.

Genre Chamber Music Classical. Sexy Trippy All Moods. It is the only one of Dowland’s galliards to feature this rhythm, which is rare in galliards by English composers. There exist six known versions for lute of the Frogg Galliard, but only one carries Dowland’s autograph.

Julian Bream Consort, Vol. It is not certain which of the two came first. Most impressive is the way Dowland subverts the trochaic pattern by drawing it out into frg at the end of each strain. The earliest known galliards, from early sixteenth century Italy, are paired with a pavan.

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The Frog Galliard – Hyperion Records – CDs, MP3 and Lossless downloads

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Lute Music of John Dowland. The most unusual aspect of Dowland’s Frogg Galliard is its trochaic rhythm, which persists throughout the piece as well as in “Now, O now”. Thomas Morley arranged it for an ensemble in his The First Booke of Consort Lessons without giving Dowland credit as the composer. The Art of Segovia. The Frogg Galliard is listed as Nos.

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