Horváth, Ödön von: Wiener Ausgabe sämtlicher Werke. Band 3. Horváth, Ödön von. Geschichten aus dem Wiener Wald. [Tales from the Vienna Woods]. Band 3. Horváth, Ödön von. Geschichten aus dem Wiener Wald. [Tales from the Vienna Woods]. Ed. by Gartner, Erwin / Streitler-Kastberger, Nicole. “KITSCH” ELEMENTS IN HORVATH’S GESCHICHTEN. AUS DEM WIENER WALD. CHARLES N. GENNO. The present Horvaith renaissance in Germany.
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The point here may in fact be geschicbten simple: Was just thinking about this production again today and yours wiejerwald one of the few English reviews of it… You missed my favourite part of the scene where Marianne is discovered in the nightclub — which is that her father, who has been carrying around balloons the entire play, lets them go as he is shocked out of his grief for his dead wife by the sight of his daughter.
The contrast between the bare stage before and the beauty of the nightclub scene almost seemed to suggest that in her very destitution and despair, even as she has to sell her body to feed herself, Marianne has achieved a kind of autonomy to which she can only hold on for a few moments longer she winds up in jail on false charges right after thisand for which she will be swiftly punished with marriage to Oskar and a reintegration into her place in society.
Again, this went on for at least five minutes, only accompanied by the sound of creaking cardboard and the occasional grunt.
On stage, it becomes a terrifyingly beautiful moment. What was on stage, though, was in many ways no less interesting, challenging, and exciting than what the Volksbuehne had to offer.
Geschichten aus dem Wiener Wald | Theater an der Wien – Production Details
The latter is slightly run down, dominated by a s kind of geschochten, but feels very open — in the lobby and in the auditorium. Michael Thalheimer, the director, is well known for his extremely compressed versions of old plays, for textual work that aims to boil down the text to an essence of sorts. Marianne, both technically and visually, seemed to be singled out as different — not necessarily less culpable than anyone else, not less morally questionable, but geschichtem more pure in her yearning for another life, more achingly naive in her hope, more simple-minded and thus more moving in wienedwald love.
One lighting cue I loved really emphasized this separation: But the sheer theatricality of the moment, the multitude of audience reactions, the physical and aural impact of the scene, went well beyond that. One Response to Berlin, Day 2: Many of the photos here were taken at the Folger Shakespeare Library; please consult their geschchten on digital images as well.
Geschichten aus dem Wiener Wald. The grandmother solves the problem: Sorry, your blog cannot share posts by email. Mobile Language selection Deutsch English. One more point about timing. However, she is not completely happy geschlchten this and on the day of her engagement runs away with the rogue Aux.
With Angelika Kirchschlager, Daniel Schmutzhard et al.
We might expect the house lights to fade, but the opposite happens: Characters like this did not only exist in Vienna in the early s, however; pompous members of the middle class whose stupidity makes them dangerous can be found everywhere and in every era.
But when Marianne appears on the nightclub stage, a dense confetti rain starts falling, turning the scene into a bizarre colourful and shiny snowstorm through which her figure, wearing only a bra and a very wide skirt wanders until she reaches centre stage, where she signs a popular song and strips down to her waist.
The former is flashier, both in the front-of-house areas and in the auditorium: But the relative silence during the show was a bit unsettling: He dwells on some moments at absolutely extraordinary length. Colin Mason In coproduction with the Bregenzer Festspiele.
Wiener Ausgabe sämtlicher Werke – Band 3 Geschichten aus dem Wiener Wald
The DT audience was significantly older and significantly more dressed-up — it felt and looked rather like a London West End crowd. Leave a Geshichten Cancel reply. Thalheimer has always been a master not simply of compression and speed, but of switching registers radically, from extremely fast to near-catatonic.
March 14th, Coproduction with Bregenzer Festspiele Fotos: She gives birth to a child, but the love she and Alfred had for each other quickly dies owing to financial problems.
Now peace and order can return to the family.
Marianne is confessing, alone, with the dme in darkness except for a circle of light just in front of her; she finishes her list of sins and an imperfectly delivered Our Father; and the lights come up on the rest of the cast assembled on and around a long table all the way upstage — the space, which just now had been quite flat, quite two-dimensional suddenly appears almost immeasurably deep, with a gulf of darkness between Marianne and the rest.
The opening of the show is one of them, and perhaps the most remarkable instance. When her father discovers her working as a nude dancer in a night club in an effort to earn some money, he indignantly disowns his wayward daughter.
Images may be reused as long as their source is properly attributed in accordance with the Creative Beschichten License detailed above. And it was mesmerizing, and hysterical, and devastating. Oskar forgives Marianne wienetwald plans to marry her after all and Alfred goes back to his old flame, the dme tobacconist Valerie.
Eventually, her father sees her perform as a nude act a scene gechichten also triggers a loud hysterical reaction by the gossipy shop keeper. That was the first surprise. Reading other reviews of the show has been a fascinating experience: Wichmann even had multiple moments where she seemed to inhabit the text with more abandon than the rest of the cast.
But even before the masks first start to horvqth there is a striking tonal difference between Wichmann and the other actors, a division between the speakers of lines and the one voice trying to break free of those lines.